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  • The Pawnbroker (film) - Wikiquote
    The Pawnbroker is a 1964 film about a Jewish pawnbroker and victim of Nazi persecution who loses all faith in his fellow man until he realizes too late the tragedy of his actions Directed by Sidney Lumet Written by Morton S Fine and David Friedkin, based on the novel by Edward Lewis Wallant
  • David Reviews Sidney Lumet’s The Pawnbroker [Blu-ray Review]
    All in all, The Pawnbroker has all the credentials necessary to justify its release as a Criterion title, but instead, the Blu-ray release comes to us courtesy of Olive Films, with the upside of reducing the retail price substantially, along with an impeccably crisp transfer and solid technical specs
  • The Representation of Trauma and Memory in The Pawnbroker . . . - Offscreen
    With Lumet now directing, The Pawnbroker was rehearsed and shot in New York in the fall of 1963 (Jeff Leonard, 8) The Pawnbroker first premiered in June 1964 at the Berlin Film Festival, a venue that was especially significant given the film’s historical subject matter
  • The Pawnbroker (film) - Wikiwand
    The Pawnbroker is a 1964 American drama film directed by Sidney Lumet, starring Rod Steiger, Geraldine Fitzgerald, Brock Peters, Jaime Sánchez and Morgan Freeman in his feature film debut The screenplay was an adaptation by Morton S Fine and David Friedkin of the 1961 novel of the same name by Edward Lewis Wallant
  • 質屋 (映画) - Wikipedia
    ロッド・スタイガー (予告編から) 『質屋』（しちや、 The Pawnbroker）は、 1964年 の アメリカ合衆国 の ドラマ。 監督は シドニー・ルメット 、出演は ロッド・スタイガー と ジェラルディン・フィッツジェラルド など。 ナチ の 強制収容所 で妻子を殺されて以来、人間不信となって心を閉ざして
  • The Pawnbroker (1964) Trailer | Rod Steiger | Geraldine Fitzgerald
    The Pawnbroker (1964) A Jewish pawnbroker, victim of Nazi persecution, loses all faith in his fellow man until he realizes too late the tragedy of his actions Director: Sidney Lumet Writers
  • The Pawnbroker (1965) - Sidney Lumet - AllMovie
    The Pawnbroker is a 1964 American drama film directed by Sidney Lumet, starring Rod Steiger, Geraldine Fitzgerald, Brock Peters, Jaime Sánchez and Morgan Freeman in his feature film debut The screenplay was an adaptation by Morton S Fine and David Friedkin of the 1961 novel of the same name by Edward Lewis Wallant
  • Siskel Film Center | Chicagos Home for Great Cinema | THE PAWNBROKER
    THE PAWNBROKER is one of Lumet’s most enduring and impactful works, an existential ghost story about guilt and memory that combines the power of Steiger’s performance with Lumet’s provocative eye for a film that remains as shocking as it was when it was released 60 years ago Content consideration: contains disturbing imagery
  • The Pawnbroker (1964) - Ruthless Reviews
    The Pawnbroker (1964) Before Rod Steiger became an unmerciful ham in such legendary howlers as The Amityville Horror and The Specialist, he was a talent of towering strength; one of the rare actors of his generation who could convince you to surrender your very dignity by the mere hint of a simmering growl
  • The Pawnbroker Movie Review | Common Sense Media
    Powerful drama about Holocaust trauma; damaging stereotypes Read Common Sense Media's The Pawnbroker review, age rating, and parents guide
  • Watch The Pawnbroker | Prime Video - Amazon. co. uk
    Sol, the embittered survivor of a Nazi death camp, is now a Harlem pawnbroker He harshly condemns his clientele as the dregs of society, and ridicules his idealistic assistant, Ortiz
  • The Pawnbroker | Audience Reviews | Rotten Tomatoes
    See what audiences are saying about The Pawnbroker Read user reviews, reactions, and ratings on Rotten Tomatoes Join the conversation today
  • The Pawnbroker (1964) — Art of the Title
    The Pawnbroker (1964) I do not believe in God, or art, or science, or newspapers, or politics, or philosophy —Sol Nazerman Share Tweet Post More Credits Studio: F Hillsberg Inc Title Designer: Frank Hillsberg Director of Photography: Boris Kaufman Editor: Ralph Rosenblum Music: Quincy Jones Support Art of the TItle DONATE ON KO-FI
  • Film censorship in the United States - Wikiwand
    In 1964, The Pawnbroker, directed by Sidney Lumet and starring Rod Steiger, was initially rejected because of two scenes in which actresses Linda Geiser and Thelma Oliver fully expose their breasts, and a sex scene between Oliver and Jaime Sánchez, which it described as "unacceptably sex suggestive and lustful"





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